My painting "Dead Fish 1" (pastel 5x5) earned a Legendary Keystones Purchase Award last Sunday at the Coppini Academy of Fine Art annual Miniature Show!www.coppiniacademy.com
My painting "Dead Fish 1" (pastel 5x5) earned a Legendary Keystones Purchase Award last Sunday at the Coppini Academy of Fine Art annual Miniature Show!
Here's what I decided:
So I wiped out the entire sky and the ugly yellow grass, and some of the calves' shadowed sides.
Put the fresh sky in with careful layers of a subtle variety of blue violets to the right and blue greens to the left, and some darker grass on the left. Thought maybe it was done here (again!) but my eye kept going to the calf on the far left. I realized it was because he had slightly darker ears (my annoying habit of clinging to the photo reference,) and his face contrasted with the dark grass at the edge of his mouth.

Recently in my online wanderings I came across the blog of watercolor artist Paul Jackson, who has created the site "Art vs. Oil Spill", an online store featuring a collection of
artwork donated by more than 100 artists around the the world specifically to benefit wildlife rescue operations along the Gulf Coast after the BP oil spill disaster.
I was so taken with this idea, and the opportunity to help, that I sent in the images of my 6 new 'beach scenes' (birds and dead fish), and I'm thrilled with how they look on all the Zazzle store products!
Check them out! Proceeds from purchases will benefit the Wildlife Rehabilitation and Nature Preservation Society, an all volunteer registered non-profit organization.
this one was the first that caught my eye. I had put it together from 4 photos a while back.
Here is my underpainting of the pastel primer on Gatorboard (my favorite surface!) I use Art Spectrum Pastel Primer in terra cotta, with a bit of burnt umber mixed in, for my 'default' base color. For this image, I also used some sand and some white for the lightest areas of the calves. I thought this looked so cool I almost didn't want to paint on it!
Here are the first underlying colors. I like to work all around the painting and get the basic values in so I can see how each area affects the others as the painting progresses.
I wiped off most of the tree line and put a sky (or water) line at a slight left diagonal to offset the strong right diagonal of the cow group. At the same time working on shadow tones, grasses, etc.
I liked how that added an anchor at the top and turned the composition into something like a lower case 't'.
Here the shadows are coming along...
The background always gives me the most trouble...


"Cowgirl" will be a part of the 25th Annual Bosque Art Classic at the Bosque Arts Center in Cliffton, Tx, Sept 11-26. http://www.bosqueartscenter.org/
Hi Y'all! I added a gallery of a few of my exhibited photographs to my website.
I don't do politics, really. I just like painting almost everything.
response to the oil spill.
These next 4 paintings are my response to several artists telling me that "...beach scenes sell well in Rockport."
I do, however, tend to become totally and completely hypnotized by the flow of waves upon a beach. I can waste several hundred megabytes of storage space and 2 sets of batteries photographing what seems to be the same wave approaching over and over again. Except that it's NOT the same wave, it's different! ALL of them are different and I still believe I'll be able to capture that most
perfect of waves if I just wait and see what the NEXT one will look like.
I threw this one in here to show what my first layer of color looks like (and because I just didn't have time to finish this one yet!) I thought it looked kind of interesting at this point.
recognizes the best in each category at it's annual Texas State Arts & Crafts Fair. This year I was honored to receive the Best in Painting award. Here is my impressive booth! (The jeweler in the adjacent booth was accidentally assigned a double space, which she shared with her neighbors on either side... the extra 5 feet of space really improved my display! Thanks Karen!)
category with "Juliet", one of the latest in my Renaissance Portrait series. Here I am with "Juliet" (8x6) and "Number Three" (24x20)
Back at the north end of the street, where I was in 2008, I decided that the vantage point I needed as a change was from the tailgate of my truck!
Here's the painting after about the first hour.
It threatened a downpour all morning, but luckily all we got was some scattered drizzle.


Here was Virginia Vaughan's wall of paintings from her "Last Year on the Farm." It was advertised as 50 paintings, but I counted close to 70!
You can see her paintings in this series here:



